Tag Archives: Cultural boycott

Singer Elvis Costello heeds PACBI’s boycott call; issues statement

From the Palestinian Campaign for the Academic and Cultural Boycott of Israel:

Occupied Ramallah, 18 May 2010 – The Palestinian Campaign for the Academic and Cultural Boycott of Israel (PACBI) warmly welcomes Elvis Costello’s cancellation of his scheduled performances in Israel. Costello’s decision is a great victory for the ethical responsibilities of international cultural figures, a key factor in the cultural boycott of Israel. It comes after similar cancellations by Gil Scott-Heron, Carlos Santana and Bono/U2 upon appeals by the Palestinian Campaign for the Academic and Cultural Boycott of Israel (PACBI) and its international partners, particularly in the UK and U.S.

Elvis Costello issued a statement to explain his withdrawal:

It is after considerable contemplation that I have lately arrived at the decision that I must withdraw from the two performances scheduled in Israel on the 30th of June and the 1st of July.

One lives in hope that music is more than mere noise, filling up idle time, whether intending to elate or lament.

Then there are occasions when merely having your name added to a concert schedule may be interpreted as a political act that resonates more than anything that might be sung and it may be assumed that one has no mind for the suffering of the innocent.

I must believe that the audience for the coming concerts would have contained many people who question the policies of their government on settlement and deplore conditions that visit intimidation, humiliation or much worse on Palestinian civilians in the name of national security.

I am also keenly aware of the sensitivity of these themes in the wake of so many despicable acts of violence perpetrated in the name of liberation.

Some will regard all of this an unknowable without personal experience but if these subjects are actually too grave and complex to be addressed in a concert, then it is also quite impossible to simply look the other way.

I offer my sincere apologies for any disappointment to the advance ticket holders as well as to the organizers.

My thanks also go to the members of the Israeli media with whom I had most rewarding and illuminating conversations. They may regard these exchanges as a waste of their time but they were of great value and help to me in gaining an appreciation of the cultural scene.

I hope it is possible to understand that I am not taking this decision lightly or so I may stand beneath any banner, nor is it one in which I imagine myself to possess any unique or eternal truth.

It is a matter of instinct and conscience.

It has been necessary to dial out the falsehoods of propaganda, the double game and hysterical language of politics, the vanity and self-righteousness of public communiqués from cranks in order to eventually sift through my own conflicted thoughts.

I have come to the following conclusions.

One must at least consider any rational argument that comes before the appeal of more desperate means.

Sometimes a silence in music is better than adding to the static and so an end to it.

I cannot imagine receiving another invitation to perform in Israel, which is a matter of regret but I can imagine a better time when I would not be writing this.

With the hope for peace and understanding. Elvis Costello

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Margaret Atwood’s Dan David Prize acceptance speech

(From Margaret Atwood’s blog marg09.wordpress.com)


By Amitav Ghosh and Margaret Atwood.

AMITAV: Because we are sharing this generous prize, we have decided to give a shared speech.  We both thank you very much for the kind words you have said about us and our writing.

MARGARET: This prize honours, not just individuals, but areas of achievement. This year you’ve chosen to invite two novelists, thus adding the art of the novel to a very distinguished list of many other disciplines, from astrophysics to medicine to music to statesmanship.

AMITAV: One of us comes from India, the other from Canada. Neither country is lacking in historical bloodshed and in present-day inequities.

MARGARET: Neither of us can afford to be self-righteous.

AMITAV: Both of us were urged by some people and groups not to come to Israel on this occasion. We were told that no artist should attend any cultural event here – no matter how hopeful and moderate such an event might be – considering the unequal, unjust, and harsh and dangerous conditions of the Palestinian people in the Occupied Territories.

MARGARET: When we said that we were very sympathetic but we felt the urgent necessity of keeping doors open — as do several organizations we work with – we were informed that we were deluded, and worse.

AMITAV:  But novelists are stubborn: when young, they refused to give up novel-writing, despite the worried advice of their families. The more we were told to turn our backs, the more we wanted to see — and to speak — for ourselves.

MARGARET: Propaganda deals in absolutes: in Yes and No. But the novel is a creature of nuance: of perhaps, of maybe. It concerns itself, not with gods and demons, but with mortal people, with their flawed characters, their unsatisfactory bodies, their sufferings, their limited and often wrong choices; with the dubiousness of their own actions and the unfairness of their fates.

AMITAV: Writing a novel often requires you to see life through the eyes of those you may not agree with. It is a polyphonic form. It pleads for the complex humanity of all human beings.

MARGARET: The public territory the novelist defends is very small, even in a democracy. It’s the space of free invention, of possibility. It’s a space that allows the remembrance of what has been forgotten, the digging up of what has been buried.

AMITAV: Worldwide, novel-writing is under constant pressure, both from political groups who want to co-opt it, and from powerful governments who’d like to silence it. Around the world, novelists have been shot, imprisoned, and exiled for their failure to toe somebody else’s line. But they continue to write stories.

MARGARET: Perhaps this vocation of ours will soon be obsolete. For coming towards us is a frightening change in our planet. Floods and droughts, deserts and famines and epidemics –will they draw the world into ever more destructive conflicts?

AMITAV: Or will we band together freely in order to help one another, as so many organizations and religious groups and environmentalists and scientists and artists are now doing?

MARGARET: We are both here as an act of good faith, because we believe that there are many people here and around the world who think as we do.

AMITAV: Hope is not out there, apart from us. Like the stories people tell, it comes from within. Like these stories, hope too must be passed on to others. Give up hope, and we are lost indeed.


It’s a crucial time in the Middle East. Proximity talks between Palestine and Israel are resuming right now, brokered by George Mitchell of the U.S.


All who truly want a chance for Palestinian people to be able to live a decent life, to be compensated for what they have wrongfully lost, and for the destruction of their infrastructures – and all those who hope Israelis will be able to live without rocket fire, bombings, and worse – can only wish these talks well, trust that those engaging in them are doing so seriously and in good faith, and hope that a fair and secure two-state solution will finally result.

Meanwhile, we two fiction writers find ourselves in Israel, having been awarded half each of the “Present” section of the Dan David Prize. You may read about the prize here:


It is a prize founded by a private individual, and administered by its own office located at Tel Aviv University. Despite what we have been told by its attackers, it is not one and the same as the State of Israel. This year is the first time this prize has gone to two novelists. It’s worth pointing out here that neither of us is a member of any of the three religious groups that claim this part of the globe as their Holy Land.

We two fiction writers are very small potatoes indeed in the context of the momentous political events now unfolding. But writers everywhere are soft targets. It’s easy to attack them. They don’t have armies, they can’t retaliate. We have both received a number of letters urging and indeed ordering us not to attend, on the grounds that anything connected with Israel is tabu. (Oddly enough, neither the President of Italy, Giorgo Napolitano – winner of the “Past” category for reason and moderation in political affairs – nor the three computer scientists – Leonrad Kleinrock, Gordon Moore, and Michael Rabin – who were awarded in the “Future” category — were targeted by these correspondents.) We have both sent letters to many but not all of the urgers and orderers. (Not all, because in some cases the petitions etc. have appeared online without having been sent to us first.) The letters we have received have ranged from courteous and sad to factual and practical to accusatory, outrageous, and untrue in their claims and statements; some have been frankly libelous, and even threatening. Some have been willing to listen to us, others have not: they want our supposedly valuable “names,” but not our actual voices.

In other words, the all-or-nothings want to bully us into being their wholly owned puppets. The result of such a decision on our part would be – among other things – to turn us into sticks with which to beat other artists into submission, and that we refuse to do. We are familiar with what other artists of many countries have been put through in similar circumstances.

Having read perhaps too many spy thrillers, we have even wondered if some of these hyperbolic correspondents have been agents provocateurs, bent on turning us against the Palestinian people. (As is often pointed out, on the Internet nobody knows who you really are.) Others have styled themselves our friends and admirers, whereas in fact they have never been any such thing. Some have urged us not touch Israelis and their institutions, while themselves continuing to deal with them. Others, once we have stated our positions, have been understanding and helpful, and ready to facilitate meaningful exchanges.  Some have let us know that although they endorse parts of the boycott, they do not endorse the cultural part, considering it a form of censorship. Some have signed public petitions—not shown to us — for which they later –in private letters to us– apologized. Some have ordered us to give the prize money to various parties, including their friends, or else to various Palestinian organizations who would in fact not accept any such gift from us. Some have asked nothing more from us than our understanding and remembrance.

To all we say: We are not against fairness and the creation of a long-overdue Palestinian state. We are not “defying” or “rejecting” anyone just because we cannot endorse a particular tactical formulation, although we understand the pressures that give rise to such formulations. And we do not automatically consider you bad, ignorant, stupid, hypocritical, or vicious because your views of means and ends is not the same as ours.

What then is our position?  It may be summarized by this excerpt from a speech made by Anthony Appiah, President of PEN American Centre, on April 27.

“What you may not know is that both Margaret Atwood and Amitav Ghosh have been subjected to an …offensive urging them to reject the award as part of a campaign of cultural isolation against Israel. The literary community in this country does not speak with one voice on the question of Palestine. But I want to be clear about where the PEN American Center stands on one aspect of this vexed issue. We have to stand, as we have stood from the very beginning, against the very idea of a cultural boycott. We have to continue to say: Only connect.

We have to stick with our founding conviction that writers must reach out across nations. To stand anywhere else would be to betray our history and our mission.”

Both of us are PEN members. Margaret was a co-founder of PEN Canada, and is now an International Vice President. To do as our correspondents demand would be to destroy our part in the work we have been doing with PEN for decades – work that involves thousands of writers around the world– jailed, exiled, censored, and murdered. Writers have no armies. They have no militant wings. The list of persecuted writers is long, ancient, and international. We feel we must defend the diminishing open space in which dialogue, exchange, and relatively free expression are still possible.

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